I saw a play yesterday with some friends. It was a musical rendition of The Bridges of Madison County.
The theater was tiny, with a capacity of approximately 120 seats. The stage was small, but the area in front of the stage was utilized by the actors, which often placed them within inches of the front rows of seats.
There was a point when the lead actor, who played Robert Kincaid, was directly to my right, about a foot away. I had to exercise all of my self control because I was sorely tempted to whisper to him that he needed to get a new pair of black socks because the ones he was wearing were threadbare.
He was fortunate, however, that he was standing next to a pillar of self-discipline, for that reason … and also because he was very handsome. Other, less-controlled women in the audience might have been tempted to distract him with their cleavage or salacious lip-licking, or even money, regardless of what that would have done to the continuity of the play. Luckily, he was very accomplished when it came to staring off into the middle distance and ignoring the audience. I suspect that he has dealt with inappropriate comments or actions from the audience before.
Everyone in the play was very good. I especially enjoyed the comic relief offered by the neighbors, and the performances by Francesca’s husband and children. The young-adult orchestra was excellent, albeit a little loud sometimes.
The lead female, who played Francesca, had an ethereal beauty and a gorgeous voice. She was a pleasure to watch and hear. The lead male’s voice got stronger and more emphatic during the second act. Someone must have told him during the intermission that his good looks were only going so far … or that the orchestra was drowning him out. During the second act, when he started singing with feeling, and volume, the audience appeared to become more engaged with the play.
After the play, my friends and I all decided that the play was just okay. Some of my friends couldn’t get past Francesca’s infidelity and, therefore, they weren’t able to enjoy the play. Others had complaints about not being able to hear the actors above the music. Some of them didn’t think the story translated well as a musical, or didn’t appreciate that the story differed from the book and/or the movie. None of the complaints related to the acting, which was very strong and effective. I, personally, left the theater feeling ambivalent about the play.
However, my ambivalence kept me up all night. As I tried to sleep, all I could think about was the play. The actress who played Francesca made the audience feel her distress about giving up Robert in order to be loyal to the husband who rescued her from post-war Italy and gave her a good life, and to her children, all of whom she deeply loved. The actor who played the husband made us hurt for him when he struggled with Francesca’s unexplained angst. And we all internally cried for Robert, who was a lost soul who found his soulmate and couldn’t have her.
After a night of contemplation, I think I loved the play, after all.
I’m still going to send that actor some new black socks, though.
